He is very different of to have chosen for not telling the victory of dipo on the Esfinge, moment this that is of great importance for the tebano king but does not say respect the great change of its life? it still had prophecy to fulfill and to win the Esfinge was only plus a stage for its great disaster. But nor everything is badly in the part, has in it excellent moments, which if can include the construction of the character, mainly with respect to Neoptlemo, that to the principle is presented in them as being a young in glory search, that it accepted to capture Filoctetes for the enlargement that would give to its name. In elapsing of the part it more clearly goes in them being each time than, for the opposite, Neoptlemo is a person of great honor and humanity, arriving to renounce the mission for mercy that feels of the humilhante situation where if it finds Filoctetes, being thus made to be valid the noble blood of Aquilis. The point that is more clearly the inferiority of the part in relation to the others of the proper Sfocles is to have the used author if of the machina former god to buy at auction the tram. Perhaps Horcio did not make any censorship for the artifice, since the arrival of Hracles in them seems or inevitable, or as reasonable of that it happens. When that it appears, already close to the end, to convince Filoctetes to fulfill its true mission, already had been introduced to the few some elements that had become its less abrupt arrival and was not so dislocated the appearance of the God. The worse effect of this everything is that all the tram of unlaces of a time, and as was all it still very pressed, the solution to send a god to conclude a intricate plot not only leaves all the most easy one for who composed? showing little domain of the artist on the bred workmanship? as it makes with that the workmanship becomes less likely and loses the humanizadora capacity of the work of art, when in them extends the imagination and the capacity to understand that certain things, that they have exactly not happened with us, are probable that they happen, becoming our experience of more complete life through artistic experience: the possible one is reasonable, said Aristotle. .