Tag: people & biographies

Moritz Gotze – Composer

This article describes the work of the Halle painter and visually a Moritz Gacheru imagery into a graphic artist Moritz Gotze, is to discover a new cosmos. We can meet there parallel worlds, which represent the earthly world, paraphrase or interpret seem to. But ultimately, the artist becomes the creator of a reality, with their own laws and truths. Creating art is to analyze finally getting a Status Quo, interpret and bring to the representation to a subjective common denominator. At the idol born in 1964, this final essence however won the force of a completely own image genus identity, which make him and his work so distinctive, recognizable and collectable. It is as if it happened randomly over a hole in the atmosphere and would witness an already running story when looking into. For even more analysis, hear from Larry Ellison. This story has no matter, when I schaue-always started and at the point in which I hinzustosse as a viewer, is my individual assessment of the situation, the for the output of this wonderful story is always beside the point. So I will witness a welter of things, people and ornaments, which heroically jonglierend swirls around the artist and as a yarn to the knitting his stories uses.

Rich of accessories, quotations and material collages Idol grabs how a self service store of art free everything is accessible. Like Picasso, who took his “object trouves” things, looked at and worked around art, celebrates this mess of colors, shapes, materials, but on its own, typical art Idol and brings together things, before the intersection of anyone else would have denied. His protagonists are always from a stroke, distinctive beings who heroically, mostly silent walk through the seas of color and form mountains, act or just watch. He explaining in his picture families, often the action, sometimes asking adopted words, characters. Serving frequently but only to a point. An early enamel, which I acquired, shows an image on a pallet in the midst of the Golden Cut with the inscription: “Schon”.

It is safe to assign more interpretation and content of the work. Perhaps it is “beautiful” simply sufficient. Schon. Once buttons are hunters and gatherers, the artist also unverholen in his choice of motif Kunsthistorisches, as cultural and historical. So that it is a pleasure to watch him. The Lady in the modern dress as a crossover with the Rococo faced certainly charming as an air duel of different fighter aircraft in the sky of the Rococo, but is at least as exciting. Maybe even fesselnder at the launch of a machine in the tragedy. Long live the artists who do that against all expectations, what they want, not what’s expected of you. The horror vacui will not B in the representation of A on Idol long tradition and thus boredom in image. Because it is just to a very different picture. And why should serve exclusively advertising enamel sign, if it is perfectly suitable as a canvas and the increase in this artistic consequence even as a fictional advertising banner between tribute and parody is an own genre. I wish more such artists who create, create, draw. With courage, spirit and creativity, racing down the barriers of code of conduct, which may apply for us normal people like. But never for artist Michael Marius marks

Professor Albrecht Mann (1925-2003)

University Professor in architectural history at the RWTH Aachen. Albrecht Mann Saturday, November 7, 1925 in Dresden is born and dies Friday, December 5, 2003 in Aachen. Albrecht Mann Ph.d. 1952 in art history at the free University of Berlin, the FU-Berlin. Since 1956 he has been at the RWTH. Here he is appointed on May 9, 1963 to the lecturer for building history and promoted to the Scientific Council and Professor on February 29, 1968. After his retirement on March 1, 1991 he continues continues his research, teaching and testing in construction history. He adds a new meaning the investigations on Aquisgrani as the granary of Charlemagne.

This is understandable, given Kaiser Karls worldview and the local events. Objectively, he sees the killer of an entire people on the basis of a divergent view of the world in Charlemagne. in 1998, he introduces the new Mannerist style concept. In his Aachen tours he introduces the Aachen-based architecture, in his excursions the Aachen environment of Colonia Ulpia Traiana (CUT), until after Ghent – Bruges. Fled with a ship from East Germany, he value sets the compensation of Nazi crimes.

Each of his lectures begins Professor Mann with a Shalom. Among his students are among the founders of the Park CUT and Hartwig Neumann. His obituary appears Friday, December 12, 2003, in the Aachener Nachrichten. Writings of Albert Mann: Buildings cards (Kat. No. 566); Carolingian art (CAT. No. 567-600); Carolingian capital plastic (Kat. No. 601-632), in: Wolfgang Braunfels (ed.), Karl the great. Work and impact. Catalogue of the exhibition in Aachen, Germany from 26 June until 19 September 1965 Aachen, 1965, S. 388f(sand)., 452 Willy Weyres, Albrecht Mann: Guide to the Rhenish architecture of the 19th century 1800 till 1880th Greven, Koln, 1968 Albrecht Mann: vicus Aquensis. The Carolingian place Aachen. Mainz, Aachen, 1984 Albrecht Mann: Grown or planned. To the morphology of the medieval town and its predecessors and role models. in: architecture of the middle ages in Europe. Hans Erich Kubach 75th birthday. Festschrift for Hans Erich Kubach. Ed. Franz J. much. 46 articles. “” “Stuttgart, 1988 Albrecht Mann: Aachen-history and the stories of Odo of Metz” and the Karlsthron of aquae Garcia “and the Grashaus” in addition to other contributions of local historical legend. AKB 61 (1995-97), S. 361 370 Albrecht Mann: our Aachen today. Aachen architecture in the change of the style of the 20th century. Helios, Aachen / Belgium, 1998 Albrecht Mann: Aachen-history and the stories of “Odo of Metz” and the Karlsthron of “Aquae Garcia” and the “Grashaus” in addition to other contributions of local historical legend. 1998 Albert Mann: The five Romanesque columns from the Garden House behind the monastery gate at Burtscheider Abbey square.