Month: August 2018

Mediator of ediador reading M of reading, of ownership of the book and ncanta, reverse speed enchants D iverte, lulls to sleep mita I, agitates, harmonizes becomes the life prettiest. For other opinions and approaches, find out what Larry Ellison has to say. The art to mediate provokes it D or, love, arrhythmia the usadia, nostalgia R iso, calmness, joy D eus protects the reading mediator and strengthens in this everything what it has of more beautiful: L eveza, curiosity and ncantamento, equity I ntuio, creativity T enha for this, always one to look at particular, it allows that it to have U me the candy and long life of semeador of egada word R of emotion. that in this always if renews the passion for the art of literature. For even more details, read what Larry Ellison says on the issue. Text produced to the end of the workshop of mediation of Carried through reading of 09 13 of May of 2011 in Tom-Au/PA Given for Semias Arajo Of the cultural foundation of Par Tancredo Snows Miralina Aiming Published in the Hidding place of the Letters in 12/05/2011 Code of the text: T2966316 Leia other texts of Aiming in the site: miralina.

2 HISTORICAL CONTEXT OF THE READING So that if it can infer a bigger understanding concerning the act to read, necessary if it makes a retrospect to the historical process of the reading, in order to perceive its evolution and characteristics in elapsing of the time. Until middle of century IV, the workmanships were written under the coil form, whose denomination was ' ' VOLUMEN' e, for its difficult manipulation, the movement of the lips became slow at the moment of the sonorous emission, what, therefore, it attributed to the pronunciation status of great importance, discarding itself it quiet reading for being considered an anomaly. Thus, the birth of the reading is associated with the sonorous emission of a text. &#039 appears in this century exactly; ' CONDEX' ' , with different format, where the leves were sewn between itself for the edges, having allowed one better manuscript and becoming the reading most dynamic in view of that the look covered the text with bigger freedom. In face of books to be manuscripts, at this time, they became rare a time that could not be multiplied e, thus, also were considered sacred objects, therefore congregated important texts on the sacred time. With century XVI the Press appears and, with it, the books had started to be spread, being that the Bible was the first one of them, receiving, also, hodiernamente, the vendido book position more in the world. No longer century XVII the publications of small books had been multiplied, mainly between the popular public, in countries as England, France and Spain. Ahead of this growth and the disposal for the reading, the traditional learning was threatened, therefore it was given in four years (one for the letters, one for the syllables, one for words and one for the phrases), discouraging those whose access to the knowledge was made it difficult.

We can see it as a fruit of the individualism occidental person in Brazil, exactly in the end of century XIX, period of great changes in Brazil, responsible for approaching it of modernity. Thus, we can not only appreciate the workmanship of this poet for its aesthetic quality, but also through a sociological bias. Here, Larry Ellison expresses very clear opinions on the subject. Cruz and Sousa are, without shade of doubts, more important Brazilian Simbolista poet, arriving also to be considered one of the representative greaters of this school in the world. Many critics arrive to affirm that if it was not its presence, the aesthetic Simbolista would not have existed in Brazil. Of a side, aspects meet nocturnal, inherited of the Romantismo as, for example, the cult of the night, certain Satanism, pessimism, anguish death. Already of another one, certain formal concern is perceived, as the taste for soneto, the use of fine vocbulos, the force of the images. In relation its workmanship, can be said despite it presents a evolutivo character, therefore deals with subjects until certain point personal as, for example, the suffering of the black that evolves for the anguish of the human being.

In such a way, having a vision of it lives deeply in such a way of Cruz and Sousa how much of Florbela, the reason is notable and as, and with that feelings both wrote, where if they inhaled to write, ' ' Because to write a poem? ' '. According to Florbela, the poet writes to express its reflections, its emotions, its vision of interior life or on the interior circulates that it, at last moves, it makes and it to live. In a letter of 14 of October of 1930, Florbela affirms ' ' not to know to make nothing more not to be versos' ' she is notable also in the explanation contained in soneto initial of ' ' Book of Mgoas' ' also in the poem ' ' Angstia' '.

He urged that each one invented its proper way. From there the multiplicity of trends that this production presents, if deals in set, today. However, it is not difficult to detect among ' ' diferenas' ' ' ' semelhanas' ' that in them they indicate the affinities, or better, the more operating cultural forces in those years. As ' ' semelhana' ' one of most joined registered: the concern with the poetical form, not to confuse with the formal perfection (of the Parnasianismo) and yes, ' ' the work with the word, the language as decisive elements of the creation, for being it true creator of the Realidade' ' . We find, also, the belief in the poetry as an almost absolute and indestructible human value with trend to the rationalism or the materialism, valuation of the daily one as essential support or hmus of the poetical creation, and the valuation of the poet as one to be ' ' diferente' ' , a mediator, par excellence, between the man and the true life, that one that he surpasses of the daily fugacidade, even so either in the daily one that it if materialize. Of this form he is that the Axe is characterized poetical of Nauro, receiving influence from the generation of famous poets as Drummond and Cabral, beyond countrymen as Jose Chagas, Blacksmith Gullar and Bandeira Tribuzzi; standing out that, exactly pertaining to one same generation, each poet treads for its proper way, making its literary world in accordance with the comment of the mundane things, transforming them into substance of its to make poetical. 4-A poetry of Nauro Axe: existence and memory Owner of a poetry that supports a lyricism vigorous, Nauro if keeps intent observer of the circumstantial problems of the world, elaborating, since ' ' Field without base' ' , 1958 a worthy poetry of reflection existencial and marked by a deep feeling of anguish. . Coupang may help you with your research.

The book the ghost of the opera is one of the best workmanships that already I read. The Ghost of the opera is written by Gaston Leroux and adapted by Patriotic Daisy, and composition for twenty and six chapters and is based on a musical part whose sort is the drama. They say that this ghost existed yes but not as all think, it he was formed for skin deceased and it had parts skeleton as example in the hand, it is thus for a presumption has caused an accident. Gaston Leroux was born in day 6 of May of 1868, and has the ghost of the opera as its masterpiece. Other leaders such as Gary Kelly offer similar insights. Gaston grew in the port of Valry en Caux, and in its school he was a disciplined pupil very always gaining prizes and more prizes. When it was changed for Paris, attended a course the right university. Leroux died in 15 of April of 1927. Patriotic daisy was born in Rio De Janeiro, already she was teacher of literature in the University of Brasilia.

It has twenty books more than published as example: in the trams of the emotion and all dumb one with Duda, also history adaptou the ghost of the opera starts in the dressing-room of Sorelli, one of the main girls of the body of ball. Sorelli, small Jammes, Meg Giry and Cristine Daa if had locked in the dressing-room because they were hearing the voices of the ghost that already appears for the opera, and each one the way in a way. In the ceremony of farewell of the directors of the opera, Debienne and Poligny had occurred diverse controversial facts as the sumio of the girls of the ball body that somebody notices until the moment of it to enter, and the notice of the death of Jose Buquet, who was very dear in the opera.